Cat Mother and The All Night Newsboys - Cat Mother (rock - hard rock psych 1972)

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Prodigal Sons - Emerge From the Void (1971 usa hard rock)

Nice hard rockin' release. If you like Wildfire, Tin House and early BTO you will dig this! There's even some British influence (John's Tune, Saga Of Yeti) here. 
From RYM (rnrguy)
 

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Quincy Conserve - Epitaph 1967 - 1971 (n zealand psych)

New Zealand band "The Quincy Conserve shared a multitude of musical influences, namely Soul,Funk,jazz,Prog,&psych.
On this, thier second album the liner notes read like a tombstone (right down to the R.I.P.) they must’ve felt it was their last at the time. As it happens, there is in fact an Ep (Tasteful) and another album to come.
Think about all the times you’ve been listening to a Blood, Sweat & Tears album and you thought to yourself “you know, I wish these guys were about a hundred times more awesome”, And if they were, you’d be listening to this.

Admittedly the vocalist on this album has a curious voice,
On the other hand, he sings in tune, unlike the other vocalist who has a more agreeable timbre but a tendency to sing flat. But why am I discussing such things when I could be telling you how totally awesome this album is. The early seventies were full of inspiring young men who never let lack of ability prevent them from succeeding as a rock singer - we should be proud.
Song highlights include "Alright in the city", "Aire of good feeling", "My michelle chan"
From RYM (koha)

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Axe - Live & Studio (1969-70 uk prog psych prog)

I often get asked what is my all-time favorite album, as if my opinion carries any weight. While it's very difficult to point to any one record as my all-time favorite, I can say with certainty that this is in my top three! It pushes all of the right buttons for me, literally defining heavy psych, featuring awesome female vocals and sulfuric acid guitar, all with a quasi-west coast vibe. One track just seems better than the next, right down the line, just non-stop killer music. Grades - 2 A+'s (I almost never give out A+'s), 2 A's, 2 A-'s, and a B+, consistently excellent!
From RYM (tymeshifter)

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Tanned Leather - Child of Never Ending Love (ger 1972 rock)

Little information is available about this German six-piece band and their debut presented here which has never been released on CD is much sought after. They consisted of one lead singer, two harmony vocalists plus the usual rock outfit. In addition there’s some guest appearance of Hans Jurgen Fritz from country fellows TRIUMVIRAT on piano. In some of the songs I can hear as well some violin and banjo which are not listed. As this line-up already suggests we get offered here some American folk-tinged material much in the vein of CSNY, at times with a strong rhythm & blues feeling like in “King of Misunderstood”. Apart from being quite a nice listen if one likes such stuff the songs here can’t offer much interesting even for the most average proghead. Overall I found this album musically quite boring I’ve to say though the lyrics are admittedly at times quite appealing and meaningful if they aren’t too much christian-inspired like in the redundant “Jesus May Help You”. Really nothing outstanding to be found on here and if at all only interesting for the general collector of obscure 70’s rarities. Their second album went even deeper into the country pop/southern rock realm questioning the relevance of this band in Prog at all.
From RYM (hdfish)

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Lt. Garcia's Magic Music Box - 'Cross the Border (1969 usa psych pop)

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Slumberlandband - Slumberlandband (1975 holl folk prog)

This is an extremely pleasant little oddity by a few ex-C.C.C. Inc. members, which sounds better for my ears than the whole output of their previous band combined (and that's saying something because I actually have a soft spot for C.C.C. Inc. as well!). Partly Beatlesque pop (there is even a song called "The Beatles"!), partly good-timey countryish rock with fiddle a-la their parent band, and partly elaborate soft prog, it flows perfectly and provides a great soundtrack for a sunny day. Makes me wonder whether an unprecedented knack for bright, infectious melodies is something Dutch kids are taught at school, because I just can't think of another area where every bloody band is capable of writing an irresistible pop tune. Shocking Blue, Focus, Supersister, The Motions, Cosmic Dealer, Nits, Gruppo Sportivo, hell, even Mecano! Regardless of the genre, regardless of the complexity level, Lowlands abound with terrific melodies. And Slumberlandband is no exception.
From RYM (levgan)

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The Exception - The Exceptional Exception (69 uk folk psych rock)

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47 Its Own Weight - Cumulo Nimbus (1975 us jazz funk acid jazz)

Fairly hard acid jazz out of the mid-’70s Austin jazz scene. 47 Times (the name is a reference to an advertising slogan for Rolaids soda-mint tablets) came together from alumni of the University of Texas Music Department jazz band, as did label-mate Starcrost. Tunes on the disc range from keyboardist Robert Skiles’ downright goofy “March of the Goober Woobers” and threatening-yet-bouncy “Jig” through trumpeter Mel Winters’ “Halyards” to non-band-member Bill Ginn’s moody, meditative “47 Tears.” Well worth finding, but expect to pay through the nose for the LP, particularly in the UK, where copies go for a couple of hundred nicker each.
From RYM (marchbanks)

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Scorpion - Scorpion (1969 US hard rock)

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Nebulosa - Nebulosa (1977 masterpiece swe prog symph. prog )

Great Swedish Progressive with Sympohinic moments, a heavy edge and the singer hit's the spot for me. I dont think people will understand what they are listening to but the album is consistantly good from start to finish!
From RYM (rixsta)

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Fredera - Aurora Vermelha (1980 braz. jazz)

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Freeport - Freeport (1970 us hard rock)

What an uplifting experience to finally find someone say something positive about this album, and to do so coherently and rationally. Thanks ochsfan. And while I may not be quite as ecstatic over it as he is, I do share the sentiments that it is a very good, very solid, and very consistent album. The sounds are semi-commercially oriented hard rock, featuring vocal harmony and great guitar work. The fact that it was released on a label that is highly collectible among psych circles may have hampered it somewhat, as the album is really not psychedelic. Big fans of that genre are typically the only ones to even know about the album, and often trash it as disappointing. Their loss! It will appeal to most fans of harder rock, especially those that love the added bonus of great early 70's period flavor. The album was released in Dec. 1970, and the band hailed from Cleveland, OH. Grades - 4 B+'s, 1 B, and 4 B-'s.
From RYM (tymeshifter)

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Longdancer - If It Was So Simple (1973 uk folk rock)

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Monument - Vol. 1 (fra hard rock psych 1970)

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Lougarou - Lougarou (1976 can prog folk prog)

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The Klowns - Ringling Bros. & Barnum & Bailey (1969 usa psych pop)

Now if this group had their own Saturday morning live-action tv show they not only would have lasted longer but also been more well known. I found this lp at a record convention in the early 90's. It was in the back of one guy's milk crate o' doom. It wasn't till later that I dug up some info that this bubblegum band had future actor Barry Bostwick (SPIN CITY) as one of the singers. Well many years before KISS, Alice Cooper, and the ilk,
these six employees of Ringling Brothers Barnum & Bailey Archies offshoot put on white greasepaint/ black teardrops and kicked it out.
Their music is unlike Filmation's HARDY BOYS, Andy Kim, and Spanky & Our Gang. Mild soul, watered-down psych, and bubblegum goodness.

Kinda freaky gatefold where one guy looks just like Bruce Johnson of The BeachBoys. Of course there are 2 girl sings who look like Betty & Veronica of course. And there's good 'ol Barry looking like a giant Lurch standing at the back.

Great songs and at times great guitar work, no doubt performed by studio musicians.
Perfect addition to your wall of lps.
From RYM (kupa99)

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The Forum - The River Is Wide ( usa psych pop 1967)

Sunshine pop arranged by Easy Listening / Soundtracks master Les Baxter. The Forum was an alter ego of the Les Baxter Balladeers, who were supposed to be a Folk group ; so they changed their name for this album, which borrowed from everything groovy: the title song sounds like The Righteous Brothers, most of the time it reminds you of Sérgio Mendes & Brasil '66, The 5th Dimension and such. Of course it is a pure exploitation album, surfing on the trends of the time. But commercial music like this is not bad at all ...

The British cd reissue includes bonus songs, some very good Les Baxter instrumentals, and 3 alternate versions of "the River Is Wide", really different from the main version.
From RYM (crissmass61)

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Mystic Number National Bank (same 1969 blues/psych usa)

In spite of the psychedelic title, The Mystic Number National Band were one of Kansas City's contributions to late-1960s blues rock ... Formed in 1967, the band featured the talents of bassist Russ Booth, guitarists Dave Lorenz and Bob Sebbo, and singer/drummer Glenn Walters.

Lead by Sebbo (who played lead guitar with a clubbed right hand) and Walters they were apparently quite an impressive live act becoming staples around Kansas City Westport district club circuit, collecting a cult following with performances at The Art Institute, The Place, etc. The band made their recording debut with the 1968 single 'Good Time Music' b/w 'I Put A Spell On You' (Brass catalog number 421).

The following year saw them attract the attention of ABC's newly formed progressive Probe subsidiary. Co-produced by Dick Weissman and John Turner, 1969's "The Mystic Number National Bank" had it's moments. The emphasis was clearly on blues-rock, but there were stabs at other genres including pop ('Ginger Man'), and even one forlorn ballad ('Umbrellas'). While there wasn't anything wrong with a blues-rock band, by 1969 popular tastes had already begun to move on and unless you brought something really unique to the table, your chances of breaking out were pretty slim. Needless to say, these guys didn't have that unique ingredient. The overall feel was of an album that had been recorded in a rush without enough prep time for the band, or post-production work. Many of the songs sounded like they'd been recorded in one or two takes, complete with flubs and sub-par performances. Hard to imagine that anyone was very happy with something like the instrumental 'AC/DC'.

- The appropriately titled 'Blues Jam' was exactly that - a routine Chicago electric blues instrumental number. Imagine a Paul Butterfield Blues Band outtake ... Absolutely nothing special going on here and 30 second later you wouldn't remember a thing about it. rating: * star
- 'Good Love' introduced Glenn Walters' raspy voice on an okay blues-rocker. The horns didn't really add a great deal to this one, but there was some nice fuzz guitar that offset the other shortcomings. rating: *** stars
- One of two songs penned by guitarist Bob Sebbo, 'It Will Break Your Heart' was a weird country-rocker. I don't know if Sebbo handled the vocals, but whoever it was turned in one of the most mannered deliveries I've ever heard. The way he drags out the title track simply has to be heard ... rating: *** stars
- The group penned instrumental 'AC/DC' basically served as a platform for guitarists Dave Lorenz and Bob Sebbo to wonk off for two minutes. The result was some of the least impressive soloing you've ever heard on a major label rating: * star
- The traditional blues number 'St. James Infirmary' has to be one of the dullest songs ever written and these guys added to that tradition with their extended, eight minute cover of the track. rating: ** stars
- Side two started out with the album's most mainstream rocker 'Beautician Blues' which is probably why it was tapped as a single. rating: *** stars
- Unlike anything else on the album. 'Umbrellas' found the band taking a stab at a sensitive ballad ... Um, nice try, but not a good genre for them to have pursued. The song itself had a gentle and pretty melody, but Walters gruff voice just wasn't a good match for the track. Perhaps they should have left it as an instrumental. rating: ** stars
- For what it's worth, I'd pick their cover of Geoff Mulduar's 'Ginger Man' as the album highlight. They gave the tune a surprisingly commercial spin and it would have actually been a better choice for a single than 'Beautician Blues'. rating: *** stars
- Penned by Sebbo, 'Big Boy' found the band taking on cocktail jazz ... Seriously, this one sounded like something they might have played at a local Marriott hotel. rating: ** stars
- And for the closer, back to Chicago-styled electric blues via 'Blues So Bad'. Giving credit where due, this group composition actually sported a little bit on energy. Hearing it in a small club after a couple of beers probably would have made it quite entertaining. rating: ** stars
Probe also tapped the album for an instantly forgotten single:
- 1969's 'Beautician Blues' b/w 'St James Infirmary' (Probe catalog number 457)
Sure, these guys had some talent and from what I've read, they were actually a fairly impressive live act. That said, you've got to wonder what Probe was thinking when they decided to release this one.
And that was it for these guys.
Booth died of a brain aneurysm.
No idea what happened to Lorenz.
Sebbo apparently still plays guitar, though he's retired and living in Wisconsin. He has some entertaining YouTube clips (check out Bob Sebbo and the Naughty Combo).
Walters briefly reappeared as a member of Stoneface, before recording with The Hoodoo Rhythm Devils. He then moved to San Francisco where he remains active in music having recorded a couple of solo albums and playing local events with The Glenn Walters Band (yes, they're available for weddings).
From RYM (ochsfan)

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Thee Midniters - In Thee Midnite Hour (usa garage/psych comp.)

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